Venn diagram of migrant woman's polymedia uses of various social media accounts and for what reasons. |
Ambient co-presence
McKay (2018) does fieldwork amongst Philippine migrant mothers who work in aged care in the UK. Most of these women have left their children back in the Philippines to be brought up by their extended family (grandparents, aunts, uncles, cousins all living close to one another in a village), for example:
McKay tells the story of how one of the migrant mothers manages to buy a large screen TV for her parents' living room and has an attached computer set up so that the TV screen would have a connection to a video WhatsApp chat link.
While playing in the living room, her young child would hear and sometimes see her mother through the screen while she does her daily activities.
This migrant mother leaves her smartphone on while she rides the bus to work, chatting away using an earpiece with a small mike, occasionally showing images from the window.
When she gets home after work she has dinner in front of the screen and show her family and child what she cooked and ate then she takes a screenshot of her child talking to her on Skype.
She then keeps this photo on her Facebook photo album which she uses as a diary to show all her Facebook friends that she still 'mothers' her young child.
Her extended family would tag her name on photos they upload on to Facebook of important family celebrations back in the Philippines such as birthday parties particularly if the celebration includes gifts sent from the UK as packages for the occasions, to show that she is 'virtually' there.
In other words, this story of the Philippine migrant mother is an example of the concept of ambient co-presence, where she is mothering virtually and is still 'present' in her child and extended family's daily life.
The concept of ambient co-presence exists because maintaining family relationships across distance has become less expensive and cumbersome through digital technologies such as Skype, Zoom video and instant messaging platforms like WhatsApp and Facebook Messenger. Sharing family members' major milestones, such as a birth, birthdays, graduations, marriage and weddings, even death and funerals are able to be done through 'live' videos, online family photo albums, social media updates, and event announcements, where the online viewers are 'virtually present'. Anthropologists ask whether family relationships are thus changed significantly by the digital technologies available to maintain them, and if so in what ways?
Wilding and Baldassar's (2018) research (see Digital Kinning) shows how elderly family members who are hindered physically to travel and visit children and grandchildren are able to re-connect and maintain a family relationship through digital communication technologies. McKay, however, argues that for migrant workers living far away from their family members, the gift of time, sharing a meal, celebrating milestones, have been replaced by social media 'likes, comments and tags' which often create frictions instead of closeness.
The online digital world has also created a different 'ambient' of family surveillance, where a wife working in the UK can micromanage her household in Trinidad through daily Skype video chat (Miller and Sinanan 2014). In essence, we are often in a relationship with the online 'avatar' of our family members. We can carry this avatar with us everywhere on our smartphones.
In the above examples, ambient co-presence is maintained through an online proxy (e.g. Facebook, WhatsApp). Ambient co-presence provides the sense that our family members are always present. In effect, the digital provides a new way of being 'family'. Or as anthropologists would say, a new way of doing kin'.
We have so far considered examples of polymedia and ambient co-presence through anthropological research in different communities and cultural contexts. These show the reasons research participants use different social media and online communication and the emotional connection for them to remain 'virtually' present in their family's daily activities. For Winarnita (2019) and McKay (2017) in their respective field sites, the migrant women/mothers try to negotiate their identity and image as mothers to family, friends and 'public', their relationships and the emotional ties attached to these polymedia use.
Ambient co-presence under a single roof
Below is a short documentary by anthropologist Heather Horst. It shows stories of parents in Fiji talking about the reasons why they allowed (or didn't) their children (mainly teenagers) to have social media accounts. In effect, their children are subjected to surveillance. Unlike above examples of ambient co-presence--in which the parent was on the other side of the world--here the parent is merely in another room in the house.
Digital Anthropology: 5. Digital Media And Family Relationships (Wilding--Kinship) >>>>> Download Now
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Digital Anthropology: 5. Digital Media And Family Relationships (Wilding--Kinship) >>>>> Download LINK
>>>>> Download Now
Digital Anthropology: 5. Digital Media And Family Relationships (Wilding--Kinship) >>>>> Download Full
>>>>> Download LINK MT